This is her and some friends running around like crazy people and recording another live version of Missed Me in the Moog Factory in Asheville. (21 Nov 2009)
So. In college I managed and periodically DJ'd for a monthly student techno/industrial dance. These are some tracks I played in a particular set that is currently rotting in my infected desktop that I'm afraid will try to eat me if I turn it on.
They are particularly swingy. I am not sure how I got away with what I did.
Jean Gabin - Doo Uap Doo Uap Doo Uap (2002). This is a downtempo techno-ish version of Ella Fitzgerald singing Duke Ellington's It Don't Mean a Thing (If It Ain't Got That Swing) (1931).
Apollo 440 - Krupa (1997) Jesus that track is old.
Propellerheads - History Repeating feat. Miss Shirley Bassey (Ankle Length Remix) (1997) Gah old also!
I have a not-so-secret weakness for breakbeat. Now Batman really knows how to take me out if I go rogue.
The Mountain Goats - Southwood Plantation Road (2002)
The Hold Steady - Southwood Plantation Road (2009); Live cover recorded in Leeds, UK
This cover is really not Remake Arena material as there's not much to judge. They basically just do it straight up. It's good, and I like hearing Craig Finn most anytime, but they didn't really do anything to it. It doesn't deserve a WIN or FAIL: it's just not a question that it makes sense to ask.
I like this one for two quirky reasons: A) Lyricised stuttering B) Though it's pretty smooth-sounding, head-bobby pop, the singer is screaming! More of that yes. Good friction.
First and foremost: I generally don't believe his music should exist. For a long time, I would have shot it into the sun if I could have. In fact, the Weebl and Bobversion was the only one I acknowledged for years.
(Also I gave you some good stuff earlier today. I only feel a little bad now.)
Weebl and Bob - Pastry (2008)
But, due to some unknown and unasked for shift in my brain chemicals, I can now stand the original and get it stuck in my head periodically. I should be glad, because if I couldn't actually stand it, I'd have plucked out my eyes long ago. Also, the estrogen or whatever tells me he's attractive now? WTF, brain. WTF. If I didn't need you for my goddamn bones, estrogen, I would shoot you into the sun as well.
Justin Timberlake - SexyBack (2006)
(I will admit that the fact that the title is glommed together with a mid-word capitalization still makes me want to rip a cow in half with my bare hands.)
So, yeah I kinda threw down with Johnny Cash earlier. But let those among us who have not put this on repeat and cried disconsolately throw the first stone.
I spoke ever-so-briefly of Bon Iver yesterday. Perhaps you are aware of Peter Gabriel's new cover album - I'm ambivalent about it so far.
Bon Iver - Flume (2008)
Peter Gabriel - Flume (2010)
The problem with Peter Gabriel's voice is that everything he does sounds like something I've heard before a million times. I also feel like he took everything that made the original weird and a little uncomfortable and raw out of it and smoothed down the edges and made it safe. It's pre-chewed.
So I'm going to have to FAIL this one, even though I'm glad it exists, and I understand what he's trying to do with the cover album. But he's no Johnny Cash; he can't steal the soul of Bon Iver and make it his own. He doesn't know where to find it.
You might have noticed that a link to Dwarfcraft went up a couple of days ago (points for attentiveness). I was excited to link to Ben, and didn't want to wait to tidy up this post before showing the love.
Here's that St. Vincent I promised: St. Vincent - Now, Now (2007)
St. Vincent - Your Lips are Red (2007)
She performs live with two microphones, one of which goes through a pedal that makes her sound like the sexiest 1940s radio-hour hostess you have ever heard, with that gorgeous bell-like sense of space and crackly edge of static.
Spoon - Written in Reverse (2010) performed and recorded live in St. Paul, MN on 2 April 2010.
Now, all browsers seem to have recently decided to hate my computing resources, so watching video has been an issue lately. For those of you in the same boat, here's a plain mp3. Spoon - Written in Reverse (2010)
You may note that they sound basically the same. What's the point? Well, I do like having a face to put on music. You may not agree. That's OK.
I told you I would look into the Black Keys and try to overcome my personal failing in not appreciating them. So. Until this afternoon sometime, there was a video on the youtube of a dinosaur puppet singing this song. That video has been pulled, which is a sad, sad thing. It was a pretty good dinosaur puppet. But this is a track from their forthcoming Brothers album that I like. This may have something to do with it being produced by Danger Mouse.
"Elephants in the Thai jungle playing specially designed musical instruments. The elephants improvise the music themselves. The Thai Elephant Orchestra was co-founded by Richard Lair of the Thai Elephant Conservation Center in Lampang and performer/composer Dave Soldier."
Temple Music (2002)
Thung Kwian Sunrise (2002)
Ganesha (2005)
Little Elephant Saddle (2005)
Yes, you may have noticed a pattern of human chauvinism in my calling music made by animals 'noise.' I admit it. Also, I suppose a human composer is involved in these works, though I'm not sure of the extent. But seriously, dudes. Elephants made this.
Some remakes are awesome to the max. Some are not. The Remake Arena is where I shall judge the quick and the totally limp-dicked.
Let us peruse one that has recently come to my attention:
First, the setup: Black Sabbath - Iron Man (1971)
Then the punchline: The Cardigans - Iron Man (1996)
FAIL: I am typically in favor of loungey remakes. I enjoy a lot of Richard Cheese. But this remake loses me instantly - the intro vocal is actually where I think it comes apart. Are you Iron Man? I am unconvinced. I think you are Nina Persson going through the sad, empty motions of covering Black Sabbath. This is the kind of thing where you have to be self-aware and say unto yourself, "Yea, Verily, Now I shall loungily cover Iron Man, and I Understand that I court Certain and Everlasting Scorn if I Should Not Execute It With Fiat." I am sensing a distinct lack of fiat.
Do you disagree with me? Tell me more! I change my mind about stuff like this pretty frequently. You can help.
Suffice to say that it was a bone-chilling and mesmerizing experience which is not really carried along with this uncompressed and raw sound recording if heard at normal level – so please turn up the volume for a bigger effect (and imgine the smell of sulfer crawling up your nose)…
Andreas Bick - Mt. Yasur (2004)
And because a) I can and b) "Mother Earth" is today's fucking buzzword
Happy Earth Day: LL Cool J - Mama Said Knock You Out (1990)
Bella suggested to me a bunch of other songs from their discography, and they're all fine songs, very back-to-basics in their way, but they seem to be missing something after Strange Times. I view my lack of appreciation as potentially a personal failing and I'll give them another go soon.
I post this more for its potential - as the kernel of a song, I think it deserves to be alive. This suprised me about as much as it probably surprises you.
BUT. It desperately needs some kind of remix. Some kind of sure-handed, old-school, disco-preserving, non-BPM-accelerated, four-on-the-floor, self-respecting remix. Not any of those bullshit, homogeneous blur-of-sound, pitch-shifted, auto-tuned abortions of remixes some goddamn DJs try to pass off as actual music. And as soon as I can find or make one, you will hear about it.
This is Dessa - Seamstress (2010) performed for the first time ever (beware of shaky phone-cam footage) at Doomtree Blowout IV (2008).
She also revisits the song Mineshaft from her first EP, False Hopes (2005)
With Mineshaft II (2010)
If I'd been on the ball in January, I'd have known she was live at the Current 20 Jan 2010:
This is video of her in studio talking about the song The Chaconne (2010). Yes, that is Jeremy Messersmith. Is he a big deal elsewhere? Also, Aby Wolf, who I haven't mentioned yet, performs with her for solo shows and is awesome.
She also played live on Seattle's KEXP on 12 Feb 2010: Seamstress, Go Home (2010), and Alibi (2010):
No Song-a-Day today, I have a question to ponder (be forewarned of swears):
What is going on with this Alt-Folk-Country-Bluegrass bleed into what would normally be the MPR/buzzcrowd leading edge of 'rock'? I understand that they don't really have a place in the Top 40 Country suckpit, and I understand that what hipsters like does not necessarily enter the rock canon, but frequently, it does. Why are alt-folk shows selling out rock venues? Bluegrass and alt-country have been existing quite happily on their own for DECADES without getting tangled up with the alt-mainstream. WTF, Hipsters. This shit, no matter how much I like it and otherwise consider it Very Fine Music, is not rock.
I do want to explain that I am annoyed beyond belief at a persistent lack of good terminology to describe the section of popular music that I'm trying to talk about. You might argue that the scoop-edge of hipsterdom doesn't count as 'popular,' since it may swirl around in there for a few months and then disappear. But it gets radio plays. It gets talked about in Rolling Stone. It sells out big venues in major cities. That's not really "under the radar," or a "stealth phenomenon" or whatever other goddamn euphemism music writers use to describe something that's still truly not widely known. I decided (today) to call it the alt-mainstream because there's a pretty good chance it's going to have staying power and ultimately shape the rock canon, regardless of any band or song's particular actual genre.
Ok. So. Exhibits A, B and, most damningly, C.
Exhibit A:Spirits of the Red City. These guys are quasi-itinerant troubadours who ping around between a couple of the major non-Eastern-seaboard music centers. I like them. Why are they on (what I perhaps erroneously think of as) my rock station?
Spirits of the Red City - Bottled Up (2009 I think)
Spirits of the Red City - Fire (2009)
Spirits of the Red City - Constant (2009)
Exhibit B:Mumford and Sons. I, I just, this is solid, amazing folky alt-country. Hurray. Yes it is edgy and a little angry. But hipsters, get your grubby paws off it. Do not make this the new rock standard, ok, because it is not fucking rock.
Mumford and Sons - Little Lion Man (2009) Listen for the under-implemented industrial noises. If that is your idea of throwing me some kind of bone, I am fucking unimpressed. Minute props for swearing.
Mumford and Sons - Roll Away Your Stone (2009)
Exhibit C:Edward Sharpe and the Magnetic Zeros. Home has a talkdown! I love a good talkdown, ok, but that is some motherfucking country bullshit right there. That is Highwaymen shit. WTF?
Edward Sharpe and the Magnetic Zeros - Home (2009)
Is this the fucking Decemberists fault? Is this because of The Rake's Song, you guys? Yes, Irish-inspired angry folk-rock is awesome. The Decemberists know how to Junt It Up. That is what you do when you want to do angry folk-rock and get rock station plays. You guys are not getting the junty picture here.
I realized I hadn't kicked around the new Gorillaz album, Plastic Beach, yet. Here are some tracks from it that I like so far.
Gorillaz - Stylo [feat. Bobby Womack and Mos Def] (2010); This is the single from Plastic Beach. The video has Bruce Willis in it and is worth watching. (They are savvy gentlemen who have disallowed embedding the video, so you'll have to click through.)
Gorillaz - Plastic Beach [feat. Mick Jones and Paul Simonon] (2010); I think this track is pretty interesting for them. It has some weird glo-fi stuff going on, I think, and I approve. They have always had strength in the hip hop relations department, and it's just nice to see them moving in other, more experimental directions.
Gorillaz - Some Kind of Nature [feat. Lou Reed] (2010); This song is worth the cost of admission just to hear Lou Reed's iconic voice over the kind of shit that Gorillaz can lay down. It does funky things to my brain parts. Unfortunately, it is a slightly limp-wristed track, but the idiosyncratic verses go a good ways toward making up for it. Feel free to do as I do and tune out the inane refrain.
Towards the end she broke the piano and nearly blew up the PA system (screaming “I´M A VOLCANO!”), before bringing it all to a close with a soft rendition of Leonard Cohen´s “Hallelujah”.
I like the Dr. Strangelove feel of the music video; I should dig into that movie with both hands and drag out the squirming Kubrick quotables to make a tasty dub.
Welcome to Squeakatronic, a Foxy / Bella music log. We're undertaking this project as the ground survey for some collaborative DJ work later; here we are just going to noodle around collecting songs and sounds for our own later snarfability. So far, it's a lot of me posting, mostly because Bella has been visiting me here in the No Coast, and she is flying back today to the West Coast. Expect to see more from her later.
Andreas Bick posts pretty great clips of all kinds of things over at Silent Listening. I haven't given it nearly the amount of time I want, but I always find something good there when I poke around.
Titus Andronicus - Titus Andronicus Forever (2010)
Titus Andronicus - ...And Ever (2010) is a reprise of Titus Andronicus Forever that I am having trouble finding a stable link to on the web. If you are (or want to become) a member of Warren Ellis' FREAKANGELSforum, you can hear it there by signing in and clicking on Whitechapel Radio in the left sidebar. Which is where and how I first heard Titus Andronicus.
And, also, in case you were wondering, there is no power on earth that will make me risk the combined wrath (and arse eels) of Warren and Ariana by trying to hotlink an mp3 from their site.
Additionally, they were live in The Current's studio on 5 April 2010.